2+2 unfolds through layers of moving image that stack, collide, and open into multiple visual portals. Rather than settling in a single place, the work drifts between spaces, inviting the viewer to exist everywhere at once. Video layers act as thresholds, each one revealing another possible entry point.

Sound and an opening performance anchor the work before it fractures outward, dissolving linear experience in favor of simultaneity. 2+2 resists resolution, embracing excess, overlap, and the freedom of multiplicity.